As many of our readers and guests know, Carl Hopper was the official H2KP lighting technician. He was also generous enough to provide objective reviews of every H2KP show.

On October 15th, 2005, Carl passed away. He was 78 years old. That day we lost a great, if cantankerous lighting technician, and we also lost a friend. That friend's name was Lenny Roofman, who also died on October 15th. Lenny was pretty fat so it's not terribly surprising that he died. As for Carl , he was killed by wolves, we think. Not sure. His obit was pretty vague, and Peg was never much of a straight-shooter with regards to information.

In his absence, and in the interest of brevity, we'll just summarize each H2KP show with an elegant haiku and some pictures. Enjoy.

October 25th, 2006: "Scare City!"
featuring:
Josh Comers, Jacqueline Novak, John Wesley Harding
Josh showed some footage
of a stranger punching him
and yes, we all laughed.

September 27th, 2006: "H2KP Lives Dangerously Above Its Means"
featuring:
Dave Hill, Michael Bernard, and music from Velouria
Holy shit, oh my God
that band was so fucking loud!
But the show was fun...

July 26th, 2006: "H2KP Stays up Late"
featuring the writers of 'Saturday Night Live':
Charlie Grandy, Colin Jost, Liz Cackowski, Bryan Tucker

No robots, no bears
Just really funny stories
and a few rape jokes.

June 28th, 2006: "H2KP Hopes You Get Sick"
featuring:
Evany Thomas, Matt Goldich, John Mulaney
official show haiku:
Matt's bowels, shaky
Mulaney and his voo doo
Evany sleeps tight

May 30th, 2006: "Heroes vs. Villains"
featuring:
Nick Kroll, Jane Borden, Mike Sacks & Ted Travelstead

official show haiku:
Was Ben Franklin gay?
Superhero fashion cops
and frat party blues

April 26th, 2006: "Total Annihilation"
featuring:
Patrick Borelli, Sam Means, Kurt Braunholer & Kristen Schaal

official show haiku:
Sex with wildflowers,
War, and some buried corpses
Our show, at gunpoint

March 30th, 2006: "Hawaiian Shirt Day"
featuring:
Chelsea Peretti & David Rees

official show haiku:
Let us never speak
of this particular show
again; it dies with us
view photos from the show >>

January 30th, 2006: "Dancetopia Supermixx"
featuring:
Victor Varnado, Paul Ford, Von Von Von

official show haiku:
We Made Mix CDs
Von Didn't Bother to Sing
That Was Kinda Weird
view photos from the show >>

October26th, 2005: "H2KP Sleeps with the Lights On"
featuring:
Rena Zager, Emily Flake, and Pete Fitzpatrick (from Clem Snide)
official show haiku:
Rena shouted and
Emily did not; Pete sang
a long distance song
view photos from the show >>

September 30th, 2005: "The First Day of the Rest of My Life"
featuring:
Roger Hailes, Dan Kennedy, Leo Allen

Holy hammertoe! For once these curlyheaded lovers got something right. I don't fancy myself a director, but if I could give some advice about shows to come, it would be this: open more of them shows with one of the boys murdering the other. That's what I call entertainment.

Course it was downhill from there. Where do I begin? Well, first we got some wino and masturbation chatter from a tall drink of water, name of Roger McHale. If I were keeping score on this show, I'd say it was masturbation 250; information zip.

Next up, the mumbly one with a story about living in a skid row hotel that I pray wasn't true, though if it were I suppose that would explain quite a bit about the author – for one, the smell of syphilitic rot every time he's around. When he got offstage, and the audience was revived with smelling salts, up comes Don Kenneally, who makes Mumbles sound like Dutch Reagan. I hope his chest found his story amusing, because he delivered the whole G-darn thing directly into it.

He's followed by Leo Agnew who decided to up the masturbation ante once again, and had the nerve to thank The Korean Conflict. I had half a mind to step down from my booth and throttle that young man. Lucky for him, my good leg had already fallen asleep by then, and the rest of me was soon to follow because – guess what? – one more dose of Stupid from the Bearded one. Here he was, pretending he was a good working stiff, talking about his job as a carny, when you could tell just by looking at him that he ain't seen an honest day's work since he stopped giving his scoutmaster free back rubs for merit badges.

I do apologize if my tone is getting a little blue. Meg's got the dropsy and she just ain't been the same since. As a result, my hands are pretty full, and I'm at my wit's end. Now if you'll excuse me, I've got a mustard plaster to prepare so if it's all the same to you, I'll leave you to your own devices. G'night.
view photos from the show >>

August 31st, 2005: "Missed Connections"
featuring:
Ophira Eisenberg, Jon Friedman, Jonathan Ames, Laptop
Anyone still trying to figure out "why they hate us" didn't have to look no further than Mo Pitkin's House of Reprobation tonight. The Curler Girls delivered a show so utterly devoid of good taste and common moral decency I started thinking a nice, focused Jihad might come in handy for wiping out the riff-raff. But Al Qaeda's got the wrong idea. It's Bob and Todd they should be calling "The Great Satan." America's just the country that's stupid enough to let these perverts say what they wanna say.

But America ain't making people give these derelicts their money, and man did the suckers come out tonight! Two whole rooms full to the brim. The main room had folks standing jammed like sardines back by the bathrooms, and the second room had 'em watching on closed circuit TV. I'm telling you if Mo Pitkin's caught fire tonight, the national IQ would've skyrocketed while the percentage of Americans living with genital warts would have dropped to an all-time low.

I'll make this quick since I still gotta scrub myself with a wire brush before hitting the hay. The show starts off with some poor schlub talking about how he ordered some girl up from the internets and how he's gonna sit on stage waiting for her to show up. Riveting! Right after that, Bob and Todd come out to show everybody pictures of man parts.

Next up was Suspiria Iceberg, a pretty lady who won the award for being the least disgusting all night long. (She could have won that award just by refusing to have relations with a sheep onstage.) She was funny, if a little braggy. After her comes Dreidel Boy. He's got a sweet little tale about working in a gay movie house. A collective gasp swept through the room when he claimed to have once held down a job.

After him comes another matzoh, name of Jon Freedom. He starts reading what he wants out of a ladyfriend. Word of advice, mouth-breather: if she doesn't laugh in your face when you ask to buy her a drink, go buy her a ring.

After him was a tall, mostly hairless guy named Ames, who told a story so disgusting I promise you here and now, the next time I see him he's getting a punch in the mouth. I never thought anyone could out-perv the mumbly one, who came up next, but this Ames fellow takes the cake. The mumbly one just went ahead with one of those stories I used to hear in grade school about what can happen to you if you use the wrong public bathroom. Something new please?

Finally, we're given a reprieve with a little music from some guy who calls himself Lapcat. It wasn't my cup of tea, and I couldn't understand what he was singing about, which was probably a blessing. Looking back, I wish the Lord had struck me deaf right before curtain. I might have a few less rosaries to do tonight.
view photos from the show >>

July 27th, 2005: "To the Max!!"
featuring:
Rusty Ward, Allison Castillo, Maura Madden
Well, looky-loo! The Brothers Hairamazov must have some kind of unnaturally effective poker faces, because I can't imagine what whopper of a lie they told to get someone to let them into these new, fancy digs. In the old theater, I had to fight off a couple'a pill heads just to make my way to the sound board, and this month I walk my old bones up some stairs and find myself standing in the kinda theater Trump hisself would own, if Trump were a dill-kissing sissy.

Naturally, the boys made everyone feel right at home by making an awkward hello, then scampering away to the dressing room to fuel up on goofballs and screaming meanies while the audience got themself subjected to all kinds of home-made video tortures. I didn't know what to make of it, but I did recognize a clip from one of Peg's favorite films, GYMKATA. Man, that youngster can work a pummel horse.

The audience took to that film like it was home movie footage from the Dresden bombings. Then the mumbly one came out and read three stories, one after the other. There was one about a girl what could fly while making the love act and two others that put me down faster than a truncheon coming down hard between the shoulder blades.

Once that mess went away, miss Allison Consuego got up and boy if she wasn't a real firecracker. Just five feet of piss and vinegar. If I can speak my mind for a moment as a decorated veteran, I will say I wasn't keen on all of her British-baiting. Not my style to leave a dump on the doorstep of the coalition of the willing, is all. Save that kind of negative chatter for the French.

Up next was Dusty Ward, who was just a real delight. His can-do spirit – training for a triathaon – reminded me of a younger version of myself. Not for nothing, but I ran in the 1942 Kissimee Sand-athalon. Hauled a sack of sand 2 and a half miles uphill. Now I'm getting sentimental...

Dusty was replaced by Mary Maiden, another charmer but a bit of a scaredy cat for my taste. That said, she looked like G. Gordon Liddy on a rathunt compared to the prissified tales of Mr. Levine. I have shown a certain amount of restraint on this site, mostly out of respect to the women readers, but G-darnit I have to say it: that Jewish kid is 80% fag and 30% queer. YES I KNOW IT EQUALS 110% but I'm making a point here. And that point is, I'm submitting a request for double-pay next month.
view photos from the show >>

 

June 29th, 2005: "Stay Gold, Ponyboy"
featuring:
Jonathan Corbett, Amanda Melson, Tom Shillue, Walter Salas-Humara
The boys were crankier than usual before tonight's show, seeing as they found a human turd placed directly before the door to the theater when they showed up. Almost like someone was trying to send them a message.

"A pre-emptive strike from the critics!" I shouted. They didn't laugh, but I sure did.

Tonight's show was called "Stay Gold, Ponyboy." I made the mistake of asking them what it meant. It's always a mistake to ask these boys for anything but cash up front.

"Youth," they told me. "Innocence."

Drugs, I thought. Drugs and free rides was what I was planning on hearing all about. What are a couple of overgrown babies born soft doing writing about youth? Work a day or two maybe, then you can earn some nostalgia rights.

Up top, our world-weary and poorly washed hosts started in with a film strip teaching kids how to go and collect their dead. I teared up a bit. Almost to the letter, it was just like the pamphlets they handed out when I was in grade school. For the first time, these punks had reached me.

And then they lost me. The Jewish one first showed us a bunch of movie posters, then he read what he claimed was his commencement speech for a special school. Dream on, I thought. They might let you sell lemonade, Corky. But don't buy the frame for that honorary doctorate any time soon.

Next up came the shortest little tramp I ever did see. Called herself Amanda Nelson. She basically just listed the 80 or so fellas she'd gone around the block with. If I had me a stone I would'a thrown it.

After her was a tall fella name of Tom Shoes. Minute I laid eyes on him I wanted to applaud. "This here's the way a man is supposed to present himself," I thought. Then he started in with the same kind of potty mouth as the rest of them and I said a prayer for the whole generation.

Right after that came a longhair named Jon Corncob. They must've named him at the commune. Corncob talked about how he still wets the bed. Now I'll admit that lately I've been having a few more accidents than usual, but I'm not gonna say that into a microphone for Pete's sake.

Shitmouth was up next. Read a story about how he can't talk to girls. Girls are pretty lucky in that regard I guess.

Finally, another longhair name of Walter Solo Humidor came out and sang some songs about going nowhere in life. I hope everyone in the show chipped in to get this guy to write them a theme song, cause he'd hit it right on the money with this crowd.
view photos from the show >>

May 25th, 2005: "2049 A.D."
featuring:
Nick Kroll, Dan Cronin, Andres du Bouchet

When a man of my advanced age fixes on the future, nothing but one word comes to mind: death. Funny thing, that’s the same word that comes to mind each time the Hair Brothers come calling when they need someone to run lights and sounds for their condemnable show. And sure enough, their “2049 A.D.” show from The Future was like an all-you-can-eat buffet of poisoned wood screws.

I can’t even try to understand what variety of calamity was happening at the top of the show. They assured us they were interviewing a man from the future, but he looked more like the one-eyed rooster boy that we used to pay a nickel to see every summer at the traveling sideshow. And, just like that rooster boy, I wanted to chuck gravel at this fella.

Then all of a sudden it’s Mumbles up there, talking about using a time machine to pleasure himself at the sight of him pleasuring himself. What I understood of it I didn’t very much like, so it’s a fine thing I didn’t understand much at all. He’s followed by his own kid, Nick Krome (?), who makes about half as much sense as Mumbles and then has the nerve to toss a photo likeness of Tom Selleck to the floor. Good thing I don’t hit ladies. And if that wasn’t enough, out comes Don Cromin, who “entertains” the kids by playing a song by the name of “Space Pussy.”

Anders Derbyshire was next and, apart from being drunk near-retarded, finally made a bit of sense in all of this mess. But what little order he restored was desecrated by The Jewish One confessing to G-knows-what, whilst trying to convince the audience he’d been stuck inside one of them bleepy Atari contraption boxes. That night I dreamed about a gas leak in my home, and it’s the best I’ve slept in months. So there’s that, I guess.
view photos from the show >>
Listen to tracks from Eric 5000, songwriter of the future:
Future Meadow
Take Me To The Future
Vermillion Pie
Space Pussy


April 27th, 2005: "The Worst Show We've Ever Done"
featuring:
Colleen Werthmann, Chris Regan, Todd Barry
They weren't kidding.

They said they were kidding when I called to tell them no way in hell would I be climbing up into that booth. Coming from these two, "worst show we've ever done" can only mean "you're gonna wanna sear your eyeballs black after this one."

But they cried like sissies, "No! No! It's just a funny show title." Just to be safe, I made them triple my pay.

$2,250 wasn't worth this kind of pain. They hooked me in early when they showed a video of the filthy one with a gun pointed at his head. My heart leapt with the thought, "Is it a live feed?" No dice. It wasn't long before the Jewish one came on screen prancing around in his sister's aerobics uniform pretending to be a kitty. I was glad I took the precaution of not eating beforehand, especially when in the last scene I saw the both of these lady-boys standing there in their underpants and screaming so loud you'd have thought they were the ones being forced to watch this nightmare. Since then I've done some screaming myself. Usually around 3 AM, I just sit bolt upright and start wailing like I was being ripped apart.

After the videos it was business as usual. The Jewish one talked about how much he wanted to watch his buddy get naked. Save it for the parade Maryann.

After him came a pretty lady I saw before name of Colleen. She told a funny story about going up on stage with no reason to be there. Everyone could tell she was talking about the Todd and Bob, but no one said nothing. And those two laughed so hard they probably had no idea.

Next came another fella I saw before. Chris Reagan. The hair on this kid! These days, the kids are killing each other for their sneakers, but in my day this kid wouldn't have gotten ten blocks before someone tried to scalp him for that top. He talked about touching himself in front of his school.

Next came Shitmouth. He talked about a night when everyone in the audience got up and spit in his face. I couldn't believe it had only happened the once.

Finally a little guy named Todd Barry got up there and tried to get everyone to laugh at some poor lady's dead daughter.
Nothing funny about losing a child. Nothing.

 

March 30th, 2005: "Best Friends Forever"
featuring:
Becky Donohue, Mike Albo, Cintra Wilson

I gotta confess something here. During the tech run-through I was halfway in the bag. I've found it's the only way I can soldier through this g-darn thing without taking a swing at someone. (I'm lookin' square at you, Mumbles.) Then, by the time the Home Perm Duo got to their play-acting, and manipulating a couple of otherwise respectable young women in the audience (I gave them the benefit of the doubt and assumed they were shanghaied into attending the show; that's how I did my first tour in the Merchant Marines, so I have sympathy.), I made sure I was entirely in the bag, and the bag was in the river.

That said, I have only flashes of memory on this one. There was one young girl – I think her name was Blurry Dunleavy – and she played funeral music then talked about naked girls jumping on a bed or some such. She was followed by Mark Alba and his condescending flip-flap fiction. Next up, I vomited into my vest pocket. Then Citrus Williams read a denouncement of the sacred institution of marriage. Where do they find these guests? Are they trawling Communist pubs and dissident internment camps? Thank goodness my sweet Peg wasn't here for this. I don't think she has the constitution for it, frankly.

And if that weren't enough, here's what The Short and Curlies did to us: the mumbly one tells a story about removing the feeding tube of your best friend so you can fiddle around with his best gal, and the Jewish one spends a good half-hour jawing about making water in a dirty beer bottle with a pack of his buddies. Well, at least there was something I could relate to tonight. As for the rest of it – I wouldn't wish it on the guiltiest Korean Warlord.
view photos from the show >>

 

February 23rd, 2005: "Funny Pages"
featuring:
Karen Sneider, Eric Drysdale, Evan Dorkin

The Curler Girls got the show started only around 35 minutes late this time, and Great Scott if they didn't pack those seats! Apparently, the city's got no shortage of reprobates who like to be bored blind. Tonight they were doing a show about the Sunday funnies. Finally a show I can get behind, I thought.

I was mistaken.

The girls started off promising, showing some strips that I'd enjoyed before, including a typically on-target Mallard Fillmore. Then the Goldberg read from a book report that he wrote when he was ten. No better and no worse than what I usually have to hear from that one.

After him came a lady with a Kermit voice who drew herself a whole bunch of comics about a monster named Myrrh. The crowd sure enjoyed what she was showing them, but I couldn't make head or tail of the whole thing. Right after her a little pipsqueak who made us all look at 3D photos of his Bar Mitzvah, which by how old he looked probably took place about a week ago. I couldn't watch for too long before those 3D glasses started to aggravate the shrapnel in my head something awful. 3D glasses and Sitar music, the two things that make me feel like I'm gonna bleed out my eye-sockets.

The mumbling one got up after that and showed drawings about a working girl who goes cannibal. It's been a year now that I've had to listen to the filth that this son of a bitch has to offer and that's one year too long. One day I'm gonna smack that mouth of his clean off his skull.

Finally, a twitchy fella by the name of Everett Dork showed a comic strip he drew about when the stuff in his fridge came to life and started attacking people. It's drugs. All of them, their minds are rot.

So it's been a year and I'm still in that G-Damn tech booth. If after that first show you had told me I'd still be working for these two nitwits a year later I would have walked outside and jumped in front of the nearest city bus. But until those fools at the V.A. hospital get my bills sent to the right desk jockey, I can't be turning down any extra cash. Might not be till the very end, but I gotta have me some dignity coming my way. I gotta, right?
view photos from the show>>


January 26th, 2005: "International Male"
featuring:
A.J. Jacobs, Liam McEneaney, Kimya Dawson
Right from the beginning, the dipshit twins thought it might be a good idea to preface this last show by leaving the front door open for around twenty or thirty minutes. By the time I brought down the house lights the joint was as cold as a Kraut's eyeballs and I had to bite my finger and thumb before I could get them to bend at the knuckles. Show was supposed to be about class, they said. A hobo with rickets wouldn't have bunked down in that icebox, but these two are gonna talk to us about class. God help us.

And what an idea of class they had. First up they showed a slide show about a bunch of immigrant Nancy Boys who were looking for dates. Then the one with the lisp starts in with the hard sell trying to get folks to have relations with his wife while he watched. My Peg and I have been around for a few decades longer than this little spit has, and from experience, if he thinks that's gonna be "classy," by eureka is he in for a rude awakening. Around the time he finished up his infomercial for filth was when I knew I couldn't feel nothing below the knees.

Following him, some angry kid named Leon from Holland starts shouting about trying to get a ladyfriend to hand over her goods in a crowded barracks after lights out. I fought alongside some boys from Holland in the war, and this kid made me just as nervous. Next up was an anatomy teacher talking for ten minutes about what the John Thomas of a frog looks like. Pretty classy. I'm wondering why they don't just read straight outta Hustler. It was around then when the cold had slowed the blood to my head and I started going in and out of consciousness. I had to bite my tongue to stay awake for my cues.

Next up is the Rosenstein, and he's got a story about trying to make friends with a bum who likes to cave in people's heads with a brick. I waited with bated breath (which I could see) to hear how this kid ended up with a slab of concrete in his skull, but there would be no dessert for me that night. Finally, we wall watch some girl named Simba talk to herself while she played the guitar. Classy, boys. Classy. When she was done the numbness in my extremities tricked my balance and I fell plum off the stool. It's been a long convalescence, but I felt my toes this morning.– and I've got my Peg to thank for that.
view photos from the show >>

 

November 17th, 2004: "I Am Not A Mistake"
featuring:
Mike Daisey, Laura Buchholz, Jessica Wood
I could explain away some of the things I saw tonight if the theme was something less misleading, like, "I Am A Terrible and Unforgivable Mistake That No Amount of Army Training or Good Old-Fashioned Belt Lashings Could Cure." But I guess that kinda title doesn't look so hot on a press release, so what do I know about show business? Not a lick, which is still about thirty licks more than these two jokers and their "How To Kick People Players."

I just don't see the point in parading out a bunch of actors –  I seen better acting on "Monster Garage" if you gotta know – in matching t-shirts and then making them cuss and slap each other around a Thanksgiving table, while the Jewish One and the Mumbly One sit back and laugh.

If that weren't enough, then the Jewish kid tells a story about his mom hanging out with gang-bangers or hosting a gang-bang or some such thing. I wasn't listening, partly because I was busy flipping through the new Cabela's hunting catalog for some Scrape Juice refills, and partly because I just hate that kid.

Things improved slightly –the way dry leprosy would be an improvement over wet leprosy, I suppose –when Mark Daffodil told everyone he was nearly a bastard. More fun and games came when Lara Buckles accused her parents of being lying, cheating trash-pickers, and Rebessica Woods copped to her mother being a naturalist and a racist. That's a fine thank-you-very-much these parents get for cleaning up your hot craps until you were five years old. (eleven years old if you were my sister, Janice, bless her simple heart) But what can you expect from a pair of hosts who think "Suck my balls!" is an appetizer for a night of readings.

Oh yeah, let's not forget the Pasty One and his made-up story about a young airborne ranger who gets his heart broken and has to ride a train all by himself. Is this what passes for struggle today? I remember getting a kneecap shot off by Koreans and I still had to share a Medi-Truck with fifteen other wounded vets. We didn't complain a bit. In fact, I never used to complain about a g-darn thing until I started working on this show. Fifteen more payments until that Airstream camper is mine, and then it's quitsville for me. Give me strength, Peg.
view photos from the show >>

October 27th, 2004: "Oh My God It's Dracula!"
featuring:
Sarah Thyre, Ritch Duncan, Andres du Bouchet &
Michael Reisman


I have some recollection of Reggie Jackson being called "Mr. October." I wished that he had been in the audience tonight if only to lend me a baseball bat so I could crack a few skulls.

As best as I could tell, the show began with the Jewish One and the Mumbly One engaged in some kinda monster story reading contest, but the only thing I found scary was that chalky-colored fella officiating things with all his hip-hop talking. Keep the foul language for the barracks, where it belongs.

So, next up Mumbles starts screeching about leafy monsters, murder-crazed teenagers, and deadbeat dads. His parents – sitting right in the front row! – must be proud. And judging by their expressions throughout the show, I think they must also be dead.

Then Marbles introduces Rick Dunstrut, who giggles and screeches his way through some kinda tribute to serial killers. Save it for death row! Next up is Sarah Tire and, by Odin's sores, did she stir up a mess of nasty. By the time she got to "piss-starched pubic hair," I was daydreaming about the relative calm of Hamhung, North Korea. When she was done – and we were all done at this point – she brings up a guy covered in human blood who also sings showtunes. Finally, something I can get behind.

But G-damn if the show ended there, maybe we coulda preserved some dignity. But the Jewish one decides to ruin it by talking about "Zombie Christmas" and covering the stage in Barbasol. I've seen hurricanes with more respect for private property. Way to go, boys!
Read Bob and Todd's Halloween Ghost Stories >>

September 29th, 2004: "Faith-Based Initiatives"
featuring:
Christian Finnegan, Amanda Melson & Clay Mcleod Chapman


This weeks show was so filthy, so utterly debauched, I scrubbed my skin raw with ajax and a brass brush after I left and I still feel unclean.

First the little jew one waddles out there in his nightie, stuffing his
face with chicken and whinin’ how he’s too depressed to do the show. Poor baby. Try spending 7 years in a 3 x 8 Korean tiger cage with nothing but a chess set made out your own molars to keep you company and see what that does to your smile.

Then, after the mumbly one inspires him with some stories about a crybaby who had to cut his own arm off to get home in time for dinner, the Jew gets cleaned up and starts praying to God not to give him a retarded baby. I’m not the most religious guy but I figure prayers like that the Man Upstairs kind of mad. Why has smiting fallen so far out of fashion?

I thought things would get cleaner when the next guy got onstage and said he was a Christian.  But when he opened up his mouth only filth fell out.  All this stuff about turning tricks in cabs and giving men oral pleasure for rent money. It was at that point I put my head down and tried to will myself to die.

Then a sweet looking girl named Nelson Amandela came out. She looked pretty innocent ‘till she started going on about how erotic Jesus camp was. Brrr. She was followed by a funny feller named Cletus McChapman comes out talking about learning in school how scary women’s genitals are. Well, it don’t take a guidance counselor to figure out that boy’s problem.

Then the tall one came back out and read more trash about how whenever he would mouth pleasure his lady he’d see a home movie in her cunny.  That’s not so special.  I ain’t onstage bragging about it, but every time I satisfy my sweet Peg, I close my eyes and see the last scene from the Poseidon Adventure.

August 25th, 2004: "Summer Girl"
featuring:
Jonathan Corbett, Kyria Abrahams, Paul Ford & Steve Burns

The good news is I refilled my meds. The bad news is I wish I could blame what I saw at the last show on a hallucination. One minute I’m nodding off as the idiot twins blather, the next minute I snap awake to a grisly panorama of rippling, naked, underdeveloped flesh. The two dimwits had stripped off their shirts and were lolling around half-naked, having some sort of beatnik orgy with an underage gal they brought up from the audience. And it wasn’t the kind of flesh a man wants to see. Last time I was near so many rolls I bought a dozen.

I shut my eyes but I could still hear the tall mumbly one reading more filth about people taking off their clothes. I was about to walk out like the time Peg got us tickets to see Hair to celebrate my graduation from barber school. We saw some hair alright, and not only the upstairs variety.

When I opened my eyes, there was some shifty, convict-looking fellow named Johnny Corncob reading how he stalked a waitress. Real sick stuff.

Next, a sweet little girl in glasses named Miriam Abromotwitz came out and told us how she used to go door to door selling girl scout cookies for Jesus or some such. Right on the heels of that Hosannah talk, two full grown men came out and sang some nonsense about mice testicles. Made me wish they’d bring back the draft.

Finally, the Jewish one came out and read a bunch of made up nonsense about a sort of reverse polio that keeps the ladies away from your male member. I think I've heard of this affliction; it's called "queeritis."

After the show, I tried to play that shiny record they gave everyone on my RCA set but I put then needle down and only a hideous scratching sound came out. Now I know what lunatics listen to.
view photos from the show >>

July 28th, 2004: "How to Kick People Goes to Hawaii"
featuring:
Kirsten Major, Patrick Borelli, & music by John Wesley Harding

I ran out of medication last week so I can’t say I feel responsible for the events that took place at the last How To Kick People show. I was halving my pills to make ‘em last longer, but by nightfall I was seeing dark, shadowy shapes movin’ out the corner of my eye.

The show started off with those nitwits reading love letters that they wrote to each other at summer camp. Well, ain’t that sweet, boys. I’ll be sure to drop some fruitcake in the mail for you.
Then the Jewish one starts whining about how horrible it is to live in Park Slope, Brooklyn. I spent 36 months in a tiger cage in Pyoktong, Korea but I guess that don’t compare to the agony of walking three whole blocks to buy a pint of Haagen-Dazs & Jerry. I think it was when his face started melting like French cheese that I really wished I’d refilled my meds scripts.

Next was this lady named Sergeant Major who she starts showing us some slide show about bald guys and loners. I squinched my eyes shut but I could still smell burning flesh. Things were getting “bad.”

Then came this skinny feller named Cedric Farinelli who tried to sell the audience marital aids. He grew butterfly wings and flew away. Nice kid.

Then the mumbly Irish one came out again and read some filth about naked people getting their jollies on a rope swing.
He finally left, his head awash in blue flames. Then Paul McCartney rode onstage on a purple unicorn and sang a song about peace on earth. That’s when my memory and the report filed by the police diverge like those two paths in that yellow wood. I’m not at liberty to say much, but all I remember is the sound of mortar fire, oriental voices yelling, and the salty tang of flesh and guitar strings in my teeth.

June 30th, 2004: "The Valedictory Show"
featuring:
Jessi Klein, Dan Kennedy, & Chris Regan


Sweet Mother of Christmas. Thank god I strapped on my Stadium Pal™ before I left the house, 'cause this month's show lasted longer than leper fricassee at a cannibal pot luck.

First they bring up a mess of high school valedictorians and ask them a buncha questions that my 5 year old grandson could’ve answered. I didn’t see any limos dropping those geniuses off so I guess being a valedictorian don’t amount to much in the real world.

The one with the hair went first and told some real sick-o story about having a crush on a serial killer girl, the whole time clutching the mike and swaying around like he had some sort of palsy.

Then out trots Missy Klein who starts bragging about being valedictorian of kindergarten. Her parents must be proud. She's followed by one Reagan’s sons and, frankly, I get a little misty because I think this was gonna be some sort of tribute, but instead he whines out some sob story about being a nerd in high school who never got girls. Color me surprised.

Then Teddy Kennedy went on and on with some G-damn foolishness about a badger in love with an eagle. It was about then that I went numb, knees-down, and the audience went numb, neck-up.

Finally the Jewish one flits out there and spent upwards of 10 minutes talking about his keyster. Says he's scared of a woman grabbing his ass. All I’m gonna say about that is: I rest my case.

At the end of the show they handed out these jokeshop diplomas. Shame on them for trying to a trick an old man. That settles it: I’m gonna go out and get my GED this year. Then we’ll see who’s so smart.


May 24th, 2004: "Am I a Horrible Person?"
featuring:
Ophira Eisenberg, Jami Attenberg, & Mike Albo

Just as I thought things couldn’t get much worse around here the show starts off with the fright wig brothers dancin’ around to pop music like a couple of G-damn fruits. I’ve seen better dancing when my 5 year-old grandson had intestinal worms. When I finally cut the music I could have sworn I heard someone in the audience whisper, “thank God”.

Then the Jewish one minces out there and reads a story about how his mommy would call the police when he misbehaved as a kid. Well, boo-effin-hoo. My old man used to break a beer bottle over my head every G-damn night and I turned out right as rain.

Oprah Einstein went on next. She looked like a pretty lil’ thing until she opened her mouth about how she was a filthy cheating whore who gave her boyfriend crabs. Then some other Backseat Bertha named Jamie Attleboro flounces out there and reads a story where every other sentence is F this and M.F. that, and something about manipulating privates.

Then out comes some skinny gal prancin’ around in a thong, named Mike Elbow. She was a real looker, that one, but she's got to do something about the beard. There's no shame in a little fuzz, but seeing all that fur was enough to take the steam out of my schooner.

Finally, the bigger one of the nimrod twins came back out and read something about being a gondola rider holdin’ two people captive. Luckily I was drunk enough to not hear most of it. Brought up the music once again andd the two retards twitched around like they were havin' a seizure all the way off the stage.

April 28th, 2004: "Kittens!"
featuring:
Hannah Tinti, Arthur Bradford & Andres du Bouchet

I've seen a lot of incompetence in my day, but tonight the Dipshit Twins really outdid themselves.

I should've known this one was gonna go down the toilet. In the week leading up to the date I got so many calls telling me they were switching the showtime, it got so I couldn't play my answering machine without getting lightheaded. They finally settled on ten goddamn thirty in the PM on a Wednesday night – whoop dee doo, boys! Must be nice to have nothing to get up for in the morning.

So I showed up at the appointed time and headed upstairs to the theater. Now, at my age, mounting my sweet Peg is only slightly easier than mounting three flights of stairs. And sure enough, by the time I got all the way up top, I found a locked door with a note on it telling me that Tweedle-Dumb and Tweedle-Dickhead decided to switch the theater right along with the showtime. I headed back down about ready to scalp that pubic hair off'a their goddamn heads. How they got the audience they got, I have no clue.

The show itself was the same old nonsense. They started off with a movie about hippies harassing people in the park. Then the one with the potty mouth gets up and lisps his way through some filth. I think I heard him tell one of those stories before. Why I needed to hear it again I'll have to remember to ask God after I die.

The girl who went up after him looked like she hadn't eaten in a year. Read something about killer giraffes. Then this tall kid, looked like my niece's no-good ex-husband, he got up and sang a song about a snail.

After that, a meaty fella got up and pretended he was a lawyer. Then came the big finale. And by "big finale," I mean "more of the same." It was the Jewish one this time. He read something about going to the zoo, and he had some other guy read with him. But I couldn't understand that fella on account he had adenoids.

To add it all up, they did the show in the wrong theater, at the wrong time, and everyone got up and talked about their G-damn pets. Reminded me of my granddaughter's Show and Tell I went and saw the previous week. Least that overpriced private school of hers had a damn elevator machine.

March 31st, 2004: "Dead People I Know"
featuring:
Allison Castillo & Colleen Werthmann

Doans back pills and Pimm's don't mix. There's no two goddamn ways about it. Maybe Doans got some kind of warning on their blister paks against the practice, but how should I know? I got mine bulk, from that nice Dominican kid who sells them on the 7 train. All I'm saying is, if anyone owes Bob and Todd and apology about my scarce recollection of the evening, it's that damn Dominican kid

So here's what I remember. The two kids with the hair told a story about a dead guy, and I didn't really follow. The pale one talked forever, while the Jew kinda nodded as if this was the first time he'd heard the yarn. Whoopee. Then blackout – me, not the lights. When I came to, the Jewish kid was making everyone watch an episode of The Price is Right. Is this what passes as art these days? When I was a kid you had to do something original, like paint a picture of a mermaid or such.

Then he introduces this girl, couldn't have been more than eight years old, judging by her height. She talked about her therapist up and dying on her. It's a lousy shame when a tiny girl like that needs therapy. I remember when a firm threat and a hickory switch was all therapying a child would need. After she reads, there's a blackout – the lights, not me. I spent the break vomiting.

Next up the kids with the hair made a goddamn funeral urn tell a story, but that might have been a psychotic episode brought on by the Pimm's/Doans cocktail. Dunno. Then Colleen(?) read a story, and made all kinds of crazy voices during it. I liked that, but I thought she was filled with ghosts. She introduced the pale kid with the foul mouth and, after another blackout – the lights, and me – he told a story while the Jewish one worked a slide machine. The story was a little too artsy but the pictures on the slides were drawn by a retarded kid, I think, so that balanced out the presentation. After that there were jellybeans.

February 25th, 2004: "Out of the Womb"
featuring:
Tom Shillue, Jen Kirwin & Von Von Von

Not sure why folks would tell people a show's gonna start at 8 o'clock then give 'em the cold sweats till 8:18. I had the idea to just start hittin' their cues at 8 on the dot, whether they came out or not. Besides, it's the two little punks backstage pullin' the curlers outta their hair and applying "queerface" that's holding things up.

But what the hey, right? Brought up cue 3 at 8:18, blues and yellows with a white wash – as beautiful as grace. One of em came out onstage and moved the mic stand way off the mark, just to throw all the focusing we did aforehand right into the shitter. Then the other one comes out and starts reading about the cancer until the other one walks out with a birthday cake all lit up with candles. That's when I says, "oh great. Beatniks."

The one of 'em, the murmuring one, he comes back out and reads out of a binder a whole lotta filth. Started with that rap stuff at the end. Jeezus.

After that, this tall blonde fella starts in with "ain't old folks funny." I had a mind to turn his mic off. Least he wasn't readin' outta a book. The girl who came on after was a pretty thing. Read about aliens. Looked like my niece but had smaller hips. Cue 5 lit her like she was born for it.

The Jewish one comes out after her. More standing around and doing nothin', More filth. Cue 4 with a heavy yellow trim. What went on after that I don't know. Some French fella in lady clothes singin' a bunch of sex songs. Might have been the hardest six hundred dollars I ever made.

 

 

 


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